CFP- Cinema at the End of the World
8th January 2015
International Conference
16–19 November 2015
See:
Call for Papers
Every day hundreds of people travel back and forth between southern countries,
including Australia, Argentina, Brazil, Chile, New Zealand, Indonesia, Timor Leste
and South Africa; and with these people travel cultures, experiences, memories
and images. The Cinema at the End of the World International Conference takes
on a transversal South-South approach to the study of visual culture in transnational,
transcultural and geopolitical contexts. It seeks to create conditions for the
generation, sharing and circulation of new knowledge that is both southern and
about the South as a specific kind of material and imaginary territory (or territories).
It does so through the study of the southern hemisphere’s screen cultures,
addressing the broad spectrum of cultural expression in both traditional and new
screen media, including film, television, video, digital, interactive, and online and
portable technologies.
Proposals are invited for papers that explore intersections of screen works from
countries south of the Equator and one or more of the following themes:
Cross-Cultural Translations, Transformations and Mutations
Settler Culture and Modernity
Indigenous and Localised Media Practice and Theory
Representations of Trauma and Violence
Landscapes and Urbanisation
Plenary speakers:
Patricio Guzmán (TBC)
Lúcia Nagib (University of Reading)
Mariano Mestman (University of Buenos Aires)
Fernão Ramos (University of Campinas, Brasil)
Felicity Collins (La Trobe University)
The Inaugural Conference of the
South of the West: Southern Screens Research Network
Presented in association with:
School of Media, Film and Journalism, Monash University
• Monash Art Design and Architecture
• School of Languages, Literatures, Cultures and Linguistics, Monash University
• Screen Studies Association of Australia and
Aotearoa/New Zealand • Australian Centre for the Moving Image
• School of Media, Culture and Creative Arts, Curtin University.
The Conference Conveners will accept proposals for papers until 28 February 2015.
Abstracts of no more than 250-words and a 100-word biography should be sent to
halina.bluzer@monash.edu. with “CEW Abstract” included in the title
A Special Issue of Critical Arts will be dedicated to articles that emerge from
conference presentations.
For more information contact:
a.traverso@curtin.edu.au or
deane.williams@ monash.edu.
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